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The gymnasium is packed with most of the school. As each row of teenage meat smashes in together, an oppressive heat starts burdening the small arena. Winter coats squelch against each other, puffy and undefinable in space. The teachers shush the murmurs with varied enthusiasm. Mr. Leroy sneaks to the men’s room to drink Wild Turkey and pray to the school mascot. The students’ buzzing blends together into a unified cacophony, like a swarming hive.
“Yooo! All dirty mongrels and mangy curs to the basement!”
That’s what I call them cause they’re actually dogs.
“You know I mean business, so get off your asses and be ready. I’m coming for you all whether you’re sitting or doing that submissive thing on your backs with your paws up.”
They should know by now this game is called Gorilla vs Dogs. I show up in the basement with a gorilla mask on and race around the empty carpeted floor swinging my arms. Most seem to forget the rules, but they re-learn real fast when the gorilla singles them out for attack.
“You know about my advanced status! Even as a big ape, I’m millions of years more advanced than even the smartest of you pretend professors, and I don’t give a toot if Phoenix the poodle knows 67 words.”
Our second print anthology, Branching Out: International Tales of Brilliant Flash Fiction is ready to ship. The brilliant stories in this collection—all 300 words or less—are an eclectic selection of gems that will inspire flash fiction writers everywhere.
Branching Out features the work of 67 authors from Australia, Canada, England, India, Ireland, Malta, New Zealand, Nigeria, the Philippines, Scotland, and the United States.
Selected from 350 international submissions, these unique tales will entertain you and inspire your own writing.
To order your copy, please donate $12 on our website Home Page by clicking the Donate button on the right hand side. If you have questions, or would like to confirm your order, please contact Dawn at firstname.lastname@example.org. (Please note that all book orders outside the USA will be subject to extra shipping charges.)
If you’d like a double dose of quality flash fiction, for a donation of $20 we’ll send you Branching Out and also a copy of our first print anthology, Hunger: The Best of Brilliant Flash Fiction, 2014-2019.
Your donations finance our nonprofit operations, and we deeply appreciate your financial support.
We found the beached humpback whale still glistening from the morning fog. It breathed hard and deep and ragged, its chest an old, moth-eaten bellows. The air wheezed between its baleen. Joe’s dog Joe Jr. sniffed the whale’s mouth and whined and jigged about, eager to get inside.
But the whale wasn’t going to die. We wouldn’t let it. We looked into its liquid, almost melting eyes and whispered comforts as we dug trenches in the sand to guide the water around its flanks and ease the whale’s flatbed of a body back into the Atlantic with the rising tide.
It took a while for the sea to reclaim the whale. We watched it the entire time. It didn’t feel right to abandon it before it could abandon us. And it watched us, too, with its alien whale-face. We were gratitudeless, but we didn’t do it for the gratitude. Joe spent half the time preventing Joe Jr. from pissing into the trenches we’d dug.
Then it was gone, slid backwards into its home, a majestic re-entrance. Joe called it pathetic, but I know he meant it in terms of pathos.
The day Darlene pulled up to Jack’s, she was facing a night in a shelter or the car. She had searched the county for an affordable room. Rents were soaring. This was the last resort.
It was a ranch home, with crumbling chimney and faded pink aluminum siding, out of place on a rural road with vineyards and mansions. Darlene knocked on the screen door. “Jack Elmer? We spoke on the phone.”
There was cursing and he appeared: sweat stains, stubbled jowls, a clump of masking-tape around the angle of his glasses. He looked her up and down.
“Is the room still open?” she asked.
Jack opened the door. Inside, there was the strong smell of cannabis and pork fat. Down a dim hall with dusky carpet, he gestured to a room. “Thousand, first of the month. Take or leave.” Continue reading “ISSUE 29: MARCH 2021”→
When my baby sister was a few days old, my grandmother showed me the soft spot on her head, how we had to be careful not to hurt her there. She said, my mother was going to be busy with the baby, and I should not mind because I was four-and-a-half years old, the big sister.
My mother’s thirteen-year-old brother tormented me with stories of Ghooghooms who he said roamed my grandmother’s house and garden. When night came, he‘d put a flashlight in his mouth and cover himself with a bedsheet and he’d go thump, thump, through the house making sounds like an owl, and I’d run away shrieking. It was no use telling my mother because she lay limp in bed with the baby.
One day, when my sister was sleeping, I brought from the kitchen the brass pestle that my grandmother used to grind peppercorns. My sister lay in a winnowing basket swaddled in a blanket. Her chest rose and fell with her breath and her round face and shiny hair looked as peaceful as a lake. Just as I was about to hit with the pestle the soft spot my grandmother had told me about, she ran in breathless and grabbing the pestle from my hand, pushed me away. Continue reading “ISSUE 28: JANUARY 2021”→
We’re all in the little guy’s car on Belswain’s Lane when Ian tells me his dad is in Broadmoor, prison for the criminally insane. I tell him I was born a bastard and we are poor. Ian counters, “But you’re rich in looks.” And I am like, man!
So we fall in love. He’s thirteen like me and looks like an angel and is going to be a playwright when he grows up. I love his hands. In the pub he talks about books with my mother. We discuss, seriously, names to give our future children. His mother Mae is a joyful drunk, fat and sexy in a tight flower dress, always coughing and laughing. She and my mother light up cigarettes with great animal sighs. My mother says she is from Scotland. So Ian is, too. After the little guy breaks it off with Mae, that’s where she and Ian disappear back to. Continue reading “ISSUE 27: SEPTEMBER 2020”→
Portrait of a Young Woman During Quarantine
By Darcy Casey
Ten at night and the woman’s stomach rumbles; sleep is impossible when her insides have so much to say. She turns under her blankets, a crocodile rolling in a kill’s final moments, but nothing dies except her resolve. She peels the ruined blankets from her body, careful not to wake her husband. From her guts rises a more insistent growl. The stomach, itself a cavernous brain, knows where she is going and is glad. She walks and, reflecting on the day, is pleased to realize she has not eaten a full meal. But wait: can this be true? She considers. It is true. Continue reading “ISSUE 26: JUNE 2020”→
Michel waters the plants in rotations. He starts with the tillandsias hanging in the copper-wire cages, then the oreganos and vanilla orchids near the south-facing window, then the begonia on the dining room table. The succulents need to be split, and the philodendrons need more sunlight. His hands are too weak to lift the watering pot; instead, he uses a wine glass like I showed him. It’s a small task to strengthen his muscles. “How are you doing?” His movements are slight and slow, but he smiles. “Well,” he says. I’m afraid to press him further. I leave him to water, then I peel the sweet potatoes for dinner. Continue reading “ISSUE 25: MARCH 2020”→