By Filip Wiltgren
When Raphael was born his mother took him to church. His father, not being inclined to such things, held the boy in his lap and read him the newspaper.
When Raphael was five, his mother took him to choir, and his father took him to play-school.
“Such voice,” said the priest.
“Such brilliance,” said the teacher.
“It is clear he has a calling,” said the priest.
“It is clear he has a gift,” said the teacher.
And Raphael’s mother and father smiled, and congratulated themselves, and basked in the radiance of their offspring.
When Raphael was ten he was a soloist in the diocese choir, where the old, soberly dressed matrons cried at the sound of his voice and kissed his mother on both cheeks.
“He is blessed by the Lord,” they told her, and Raphael’s mother nodded and smiled.
Continue reading “SEPTEMBER 2021”
By Andrew Kozma
We found the beached humpback whale still glistening from the morning fog. It breathed hard and deep and ragged, its chest an old, moth-eaten bellows. The air wheezed between its baleen. Joe’s dog Joe Jr. sniffed the whale’s mouth and whined and jigged about, eager to get inside.
But the whale wasn’t going to die. We wouldn’t let it. We looked into its liquid, almost melting eyes and whispered comforts as we dug trenches in the sand to guide the water around its flanks and ease the whale’s flatbed of a body back into the Atlantic with the rising tide.
It took a while for the sea to reclaim the whale. We watched it the entire time. It didn’t feel right to abandon it before it could abandon us. And it watched us, too, with its alien whale-face. We were gratitudeless, but we didn’t do it for the gratitude. Joe spent half the time preventing Joe Jr. from pissing into the trenches we’d dug.
Then it was gone, slid backwards into its home, a majestic re-entrance. Joe called it pathetic, but I know he meant it in terms of pathos.
We both knew we’d never see anything so strange and unnerving again.
Continue reading “ISSUE 30: JUNE 2021”
Our second print anthology
is coming soon…
We are excited to reveal the title and cover art for our second print anthology, Branching Out: International Tales of Brilliant Flash Fiction.
Cover photo by Laurie Scavo * Cover design by Karen Morgan
A big thank you to our authors whose work has been chosen for Brilliant Flash Fiction’s second print anthology Branching Out:
Kathryn Aldridge-Morris * AllOneWord *Ugochukwu Anadị * Madeline Barrett * Joe Baumann * Roberta Beary * Paul Beckman * Liz Betz * John Brantingham * John Burns * Helen Chambers * Robert Clinton * Caleb Collier * A.K. Cotham * Charlotte Crowder * Dr. Meghashri Dalvi * Salvatore Difalco * Corina DiOrio * Matthew Duffus * Catherine Edmunds * Mel Fawcett * Gary Fincke * David Galef * Joe Giordano * H.T. Grossen * Elad Haber * Corrie Haldane * Andrew Hughes * Meagan Johanson * Stephen Johnson * Ben Johnston * Sara Jordan-Heintz * Maddie King * Jennifer Lai * Claire Lawrence * Minh-Tam Le * Amanda Lieser * Phil Lindeman * Marc Littman * Martin Lochman * Craig Loomis * Alison McBain * Linda McMullen * Erika Loughran MacNeil * Amy Marques * Kate Maxwell * Mari Maxwell * Elaine Mead * Terri Mullholland * Donna J.W. Munro * Cheryl Pappas * Adrian S. Potter * Scott Ragland * Charles Rammelkamp * Nancy Pica Renken * Karen Rigby * Terry Sanville * Connor Sassmannshausen * Robert Scott * Robert Scotellaro * Shoshauna Shy * Jaspal Kaur Singh * Lucy Smith * Dhara Son * David J. Walker * Stuart Watson * M.J. Weisen
Stay tuned for details on pre-ordering!
Virtual FUNDRAISING WORKSHOP WITH NANCY STOHLMAN
Saturday, JUNE 12, NOON MDT (Denver, CO, time)
About the workshop:
“The Wacky, Weird, and Wonderful: Dazzling Narratives and Experimental Flash Fictions”
The constraints of flash fiction have ironically created a new sort of genre freedom, and flash fiction writers are embracing contortions that wouldn’t work in other forms: a motley circus of tightrope walkers and jugglers and trapeze artists plunging against their boundaries and defying narrative in breathtaking ways. In this one-hour workshop we’ll examine, discuss, and take bold risks with experimental narratives, attempting the kinds of literary acrobatics and daredevil antics that emerge when plots are forced to bend in small spaces.
Continue reading “FLASH FICTION WORKSHOP”
Footprints in Fine White Ash
By Michael Kozart
The day Darlene pulled up to Jack’s, she was facing a night in a shelter or the car. She had searched the county for an affordable room. Rents were soaring. This was the last resort.
It was a ranch home, with crumbling chimney and faded pink aluminum siding, out of place on a rural road with vineyards and mansions. Darlene knocked on the screen door. “Jack Elmer? We spoke on the phone.”
There was cursing and he appeared: sweat stains, stubbled jowls, a clump of masking-tape around the angle of his glasses. He looked her up and down.
“Is the room still open?” she asked.
Jack opened the door. Inside, there was the strong smell of cannabis and pork fat. Down a dim hall with dusky carpet, he gestured to a room. “Thousand, first of the month. Take or leave.” Continue reading “ISSUE 29: MARCH 2021”
Our second print anthology is coming soon…
Brilliant Flash Fiction wants your best and most brilliant 300-word flash fiction stories for a print anthology set to launch autumn 2021.
Your story must be original and unpublished. One submission per author, please.
Theme: None. Let your imagination run wild. All genres accepted.
Word Count: 300 words or less
Deadline: May 14, 2021
Author Payment: One complimentary copy of the print anthology
Continue reading “CALL FOR SUBMISSIONS”
Flash Fiction Workshop & Fundraiser
Learn how to write brilliant flash fiction, along with tips, tricks, and prompts to help you on your writing journey.
This one-hour virtual (Zoom) flash fiction workshop and fundraiser will take you from zero to finished flash fiction!
Date: Saturday, March 13, 2021
Time: Noon (Mountain Standard Time, USA)
Presented by: Cindy Skaggs
Continue reading “GET READY TO WRITE!”
By Ravibala Shenoy
When my baby sister was a few days old, my grandmother showed me the soft spot on her head, how we had to be careful not to hurt her there. She said, my mother was going to be busy with the baby, and I should not mind because I was four-and-a-half years old, the big sister.
My mother’s thirteen-year-old brother tormented me with stories of Ghooghooms who he said roamed my grandmother’s house and garden. When night came, he‘d put a flashlight in his mouth and cover himself with a bedsheet and he’d go thump, thump, through the house making sounds like an owl, and I’d run away shrieking. It was no use telling my mother because she lay limp in bed with the baby.
One day, when my sister was sleeping, I brought from the kitchen the brass pestle that my grandmother used to grind peppercorns. My sister lay in a winnowing basket swaddled in a blanket. Her chest rose and fell with her breath and her round face and shiny hair looked as peaceful as a lake. Just as I was about to hit with the pestle the soft spot my grandmother had told me about, she ran in breathless and grabbing the pestle from my hand, pushed me away. Continue reading “ISSUE 28: JANUARY 2021”